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A Joint Project with The Yomiuri Shimbun

The True Value of Architecture That Defined the Showa Era (1926–1989):Experiencing Togo Murano's Architecture Firsthand

As one of Japan's leading architects, Togo Murano was active at the forefront of his field before and after World War II.
At three of Seibu Prince Hotels & Resorts’ landmark hotels dating from the Showa era,
visitors can appreciate Murano’s inventive architectural aesthetic.
Prepared with expert guidance from Junichiro Ishida,
Professor in the Department of Architecture at Mukogawa Women's University and Professor Emeritus at Kyoto Institute of Technology,
this article explores the secrets behind Togo Murano’s architecture,
which continues to captivate people to this day.

Architect

Togo Murano (1891-1984)

Born in Saga Prefecture, Murano was one of the leading architects of the Showa Era. He graduated from the Department of Architecture at Waseda University. In addition to architectural work spanning everything from Modernist buildings to Sukiya-style architecture rooted in the Japanese tea-house tradition, Murano also demonstrated a talent for interior design, creating furniture, lighting, and other interior elements. His best-known works include two buildings designated as Important Cultural Properties — Watanabe Memorial Hall in Ube City (Yamaguchi Prefecture) and the Memorial Cathedral for World Peace (Hiroshima City) — as well as the Nissay Hibiya Building, including the Nissay Theatre (Tokyo). He was awarded the Order of Culture in 1967.

Togo Murano
Courtesy of The Yomiuri Shimbun

Hotels Hotel Overviews

The Prince
Hakone Lake Ashinoko

Located on the shores of Lake Ashinoko with views of Mount Fuji in Fuji-Hakone-Izu National Park, The Prince Hakone Lake Ashinoko blends seamlessly into the natural beauty of Hakone. As you take in the slow unfolding of the seasons in Hakone, the glimmering waters of Lake Ashi, the rustling wind, the lapping waves, and the birdsong all come together to soothe the spirit. Above all else, Togo Murano was committed to achieving perfect harmony with nature. In line with his belief that not a single tree or stone should be altered without good reason, the hotel was designed and built without cutting down any of the trees that grow densely on the land. The hotel’s exterior appears to be an extension of the trees lining the lakeside, while exquisite decorations line the beautiful interior. Together, they showcase Togo Murano’s meticulous attention to every spatial detail.

A hotel where you can feel at one with the nature of Hakone

A lobby that showcases the beautiful shadows cast by wall columns made of split sandstone

A spiral staircase with undulating curves

The main dining room Le Trianon, featuring striking interior walls of Indian sandstone and dyed Arita ware tiles

Sanyo-so Izu
Nagaoka Onsen

Sanyo-so Izu Nagaoka Onsen is a hot spring ryokan consisting of a main building built in 1929 as a villa for Hisaya, the eldest son of Mitsubishi Zaibatsu founder Yataro Iwasaki, and a modern Sukiya-style annex designed by Togo Murano and built in 1988. Likened to branches spreading outward with flowers coming into bloom, Murano’s annex design features multiple standalone guest rooms, each with its own private garden, linked by covered corridors across the vast grounds. While the entrance pavilion features the simple yet powerful form of a Japanese-style private residence, the 129-tatami-mat hall, Yuho, is distinguished by exquisite decorative accents that form an interior unlike any other, including a finely latticed coffered ceiling, a sophisticated ceiling design traditionally found in highly formal spaces.

A Japanese-style room in the annex designed by Togo Murano

An entrance pavilion distinguished by the rustic character of its shingled roof and earthen floor

A tatami-lined corridor with a beautiful luminous ceiling and decorative sliding screens

A Japanese garden of approx. 10,000 square meters stretching between the main building and annex (Note: Pictured behind the garden is the main building, which was not designed by Togo Murano.)

The Prince
Kyoto Takaragaike

Situated in the serene Rakuhoku area, regarded as an oasis within Kyoto, The Prince Kyoto Takaragaike was one of Togo Murano’s final architectural works. The rich, inventive techniques Murano cultivated over the course of his career can be seen throughout the building. Beyond the breathtaking architectural beauty of the exterior, graceful curves can be found everywhere, down to the finest interior details of the lobby and guest rooms. In the Sukiya-style tea pavilion nestled in a Japanese garden, guests can listen closely to the sounds of a waterfall and insects. In the one-of-a-kind oval banquet hall, the grandeur of the 9-meter-high ceiling and mosaic-tiled walls inspired by a forest will take your breath away. The hotel offers a luxurious stay immersed in a tranquil space nestled in the nature of Rakuhoku.

A donut-shaped hotel building isolated from the urban hustle and bustle

Furniture featuring gracefully curved cabriole legs

A banquet hall with a magnificent atmosphere that evokes a royal picture scroll

A tea pavilion in a Japanese garden rich with ever-changing seasonal beauty

Project Advisor & Video Commentary

Jun'ichiro ISHIDA

The purpose of this project is to provide guests with a deeper appreciation of the architectural history and charm of the Prince Hakone Lake Ashinoko, Sanyo-so Izu Nagaoka Onsen, and the Prince Kyoto Takaragaike, which feature historic Seibu Prince Hotels & Resorts buildings dating back to the Showa Era and designed by Togo Murano, one of the leading architects of the period. We invite you to explore the rich diversity of Togo Murano's design techniques and the history of the hotels that have carried on his architectural legacy.

Profile Ishida holds a doctorate in engineering and serves as a Professor in the Department of Architecture at Mukogawa Women's University and Professor Emeritus at Kyoto Institute of Technology. He completed his doctoral studies at Kyoto University’s Graduate School and specializes in architectural and urban history.

石田潤一郎
Courtesy of The Yomiuri Shimbun